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        <identifier>oai:atomi.repo.nii.ac.jp:00000654</identifier>
        <datestamp>2023-07-25T11:15:33Z</datestamp>
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          <dc:title>The Naga-ita Chugata Aizome Dyeing Technique</dc:title>
          <dc:title>The Naga-ita Chugata Aizome Dyeing Technique</dc:title>
          <dc:creator>Karen, J.MACK</dc:creator>
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          <dc:description>text</dc:description>
          <dc:description>With the recent yukata boom in the last few years, yukata of elaborate and colorful designs have appeared in number. While this trend might be considered a new fashin, in the Edo period yukata were likewise worn at times as fashionable casual dress with a multiple of elaborate patterns made with expensive labor-intensive dyeing techniques, primarily tie-dye and stencil dyeing. This essay considers one of these dye techniques, the traditional naga-ita chugata aizome method of stencil dyeing,and describes the details of this dyeing technique based on personal observation of the process at the Noguchi Some-Kojo workshop in Hachioji, Tokyo.</dc:description>
          <dc:description>departmental bulletin paper</dc:description>
          <dc:publisher>跡見学園女子大学</dc:publisher>
          <dc:date>2010-09</dc:date>
          <dc:type>VoR</dc:type>
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          <dc:identifier>跡見学園女子大学文学部紀要</dc:identifier>
          <dc:identifier>45</dc:identifier>
          <dc:identifier>A1</dc:identifier>
          <dc:identifier>A10</dc:identifier>
          <dc:identifier>JOURNAL OF ATOMI UNIVERSITY FACULTY OF LITERATURE</dc:identifier>
          <dc:identifier>1348-1444</dc:identifier>
          <dc:identifier>https://atomi.repo.nii.ac.jp/record/654/files/atomi-KJ00006678829.pdf</dc:identifier>
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