@article{oai:atomi.repo.nii.ac.jp:00003652,
 author = {要, 真理子},
 issue = {55},
 journal = {跡見学園女子大学文学部紀要, JOURNAL OF ATOMI UNIVERSITY FACULTY OF LETTERS},
 month = {Mar},
 note = {application/pdf, text, This study focuses on Vorticism in the early 20th century and aims to explain the development of de sign within British avant-gardism in the context of advancements in printed media between 1910 and 1920.
Unlike traditional art, avant-garde art sought to create artworks that manifested and disseminated new ideals about art in general. Art movements like Russian constructivism and Futurism were already used journals to appeal to public interest. Such journals were both artworks and a sounding board for new ideas, requiring artists to have knowledge of printing techniques and to understand the differences between an original work of art and its printed copy. Artists considered aspects like layout and typeface to be of crucial importance. Hence, the artists’ intentions should be considered: did they steer towards graphic works based on the premise that they would be printed, strongly affirming the differences between the two? Or, did they use them because the printed version retained features of the original, denying the differences? Through our examination of printed media, we reconsider the position of copying technology in the context of modernist thought.},
 pages = {A163--A176},
 title = {雑誌『ブラスト』に見るウィンダム・ルイスのデザイン思想},
 year = {2020}
}