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  1. 文学部
  2. 跡見学園女子大学文学部紀要
  3. 56号

Motifs in Image and Text: Narrative, Imagery, and Symbolism in Ariyoshi Sawako’s novel Shibazakura (Moss Phlox) Part 1 “Shibazakura Chapter”

https://atomi.repo.nii.ac.jp/records/3670
https://atomi.repo.nii.ac.jp/records/3670
7001e6da-828b-4378-a7f8-338c1f0a324d
名前 / ファイル ライセンス アクション
atomi_bungaku56_06.pdf atomi_bungaku56_06.pdf (1.6 MB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2021-05-17
タイトル
タイトル Motifs in Image and Text: Narrative, Imagery, and Symbolism in Ariyoshi Sawako’s novel Shibazakura (Moss Phlox) Part 1 “Shibazakura Chapter”
言語
言語 eng
資源タイプ
資源タイプ識別子 http://purl.org/coar/resource_type/c_6501
資源タイプ departmental bulletin paper
著者 MACK, Karen J

× MACK, Karen J

MACK, Karen J

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著者別名
識別子Scheme WEKO
識別子 7498
姓名 MACK, Karen J
著者所属
跡見学園女子大学
著者所属(英)
en
ATOMI UNIVERSITY
抄録
内容記述タイプ Abstract
内容記述 Ariyoshi Sawako first published Shibazakura (Moss Phlox) in the journal Shūkan Shinchō from January 1969 (Shōwa 44) to April 1970 (Shōwa 45) with illustrations by the artist Iwata Sentarō (1901-1974). The serialized novel, later reprinted in a hard cover edition with variances in 1970, narrates the tale of two frenemy geisha, Masako and Tsutayo, with Masako as the main protagonist. Several themes, or motifs, appear in the novel many of which were also chosen by Iwata Sentarō to be illustrated. Primary among them is the shibazakura (moss phlox) of the title, which aptly evokes the frenemy relationship between Masako and Tsutayo, where on numerous occasions, including the emblematic moss phlox incident, Tsutayo is overtly kindhearted while at the same time taking advantage of the circumstances to use to her own ends. Other motifs are generally considered more typical of the issues Sawako addresses in her works, such as a woman’s choice between career and marriage, the social status of a married woman as opposed to a geisha, and romantic love versus financial security. Often the themes of the novel are represented more concretely by motifs such as the moss phlox emblematic of the two main protagonists’ relationship or the diamonds emblematic of the episode treating the status of wife versus geisha. How these themes and the narrative interact, and how they are represented by discrete motifs, is the topic addressed in this essay. The primary source for this essay is not the republished and edited 1970 version of the novel, but the original serialized publication in the Shūkan Shinchō magazine with its attendant illustrations by Iwata Sen-tarō. Since the entirety of the novel was published over a period of 16 months, and in reprinted book form appears in two volumes of some 400 pages each, this essay too will also be written as a series. This current essay (part 1) covers the novel from its first installment of January 4 of 1969 to its fourteenth installment of April 5 of 1969 (episode 13 in the book edition). All notations refer to the magazine serialized edition, which not only differs from the book in the parsing of the episodes, but also on occasion has minor differences in text.
書誌情報 跡見学園女子大学文学部紀要
en : JOURNAL OF ATOMI UNIVERSITY FACULTY OF LETTERS

号 56, p. A25-A43, 発行日 2021-03
ISSN
収録物識別子タイプ ISSN
収録物識別子 1348-1444
フォーマット
内容記述タイプ Other
内容記述 application/pdf
著者版フラグ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
出版者
出版者 跡見学園女子大学
出版地
東京都文京区
出版者(ヨミ)
アトミガクエンジョシダイガク
資源タイプ
内容記述タイプ Other
内容記述 text
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