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  1. 文学部
  2. 跡見学園女子大学文学部紀要
  3. 53号

The Function of Kimono in Nagai Kafū's Bokutō Kidan Material Culture Communication: Nostalgia and Time Consciousness Expressed through Kimono and Dress

https://atomi.repo.nii.ac.jp/records/3360
https://atomi.repo.nii.ac.jp/records/3360
3d0252d7-16e9-412a-800e-16702bf362ae
名前 / ファイル ライセンス アクション
atomi_bungaku53_21.pdf atomi_bungaku53_21.pdf (3.6 MB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2021-05-12
タイトル
タイトル The Function of Kimono in Nagai Kafū's Bokutō Kidan Material Culture Communication: Nostalgia and Time Consciousness Expressed through Kimono and Dress
言語
言語 eng
資源タイプ
資源タイプ識別子 http://purl.org/coar/resource_type/c_6501
資源タイプ departmental bulletin paper
著者 MACK, Karen J

× MACK, Karen J

MACK, Karen J

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著者(ヨミ)
識別子Scheme WEKO
識別子 7335
姓名 マック, カレン J
著者別名
識別子Scheme WEKO
識別子 7336
姓名 MACK, Karen J
著者所属
跡見学園女子大学
抄録
内容記述タイプ Abstract
内容記述 Nagai Kafū in his novel, Bokutō Kidan,used a number of methods not to merely evoke the past, but to superimpose it onto the present through sounds, smells, and material objects.As the narrator recounts, “even the foulness of the gully, and the sounds of the mosquitoes,stimulated my senses bringing back a shadowy image of a past. ” For the narrator of the novel,the present is merely a veneer to be uncovered to reacquire a nostalgic past, as found in such observations as the description of the building in which O-Yuki resided, “from the outside it looked Western by its walls and windows, but inside it was a narrow Japanese house. ” The narrator visits the used-book store by the Sanyabori canal, “not because of the old books themselves, but because of the character of the bookseller and the atmosphere of the back-street district outside the licensed quarters”and “from the shape his face, his mannerisms,his use of words, to his way of wearing kimono―to have kept this native shitamachi Tokyo style intact was in my eyes far more precious and nostalgic than any rare old book.O-Yuki charms the narrator, becoming his muse, due to her “old-style” manner of dress and hairstyle: her “hitoe(unlined)kimono with a suso-moyō hem-design that had been hanging on a kimono stand; with her red Benkei-jima datejima tied large in front, balanced by the slightly too big silver string of her tsubushi-shimada chignon,she looked to my eyes somehow like a strumpet of the Meiji era. ”Although being seduced by the past is not without its dangers,as the narrator comments,“I was very nearly damned by an used nagajuban, ”when O-Yuki changes to a modern hairstyle, the apparition of the past is lost for the narrator, who soon ceases to visit her.In many such instances given in detail below, Nagai Kafū pays particular attention to dress and hairstyle in his evocation of the past in the present.
書誌情報 跡見学園女子大学文学部紀要
en : JOURNAL OF ATOMI UNIVERSITY FACULTY OF LETTERS

号 53, p. A113-A138, 発行日 2018-03
ISSN
収録物識別子タイプ ISSN
収録物識別子 1348-1444
フォーマット
内容記述タイプ Other
内容記述 application/pdf
著者版フラグ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
出版者
出版者 跡見学園女子大学
出版地
東京都文京区
出版者(ヨミ)
アトミガクエンジョシダイガク
資源タイプ
内容記述タイプ Other
内容記述 text
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