WEKO3
アイテム
雑誌『ブラスト』に見るウィンダム・ルイスのデザイン思想
https://atomi.repo.nii.ac.jp/records/3652
https://atomi.repo.nii.ac.jp/records/3652784901cc-4a61-46df-a862-cf49ccbb2a51
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
atomi_bungaku55_08.pdf (1.0 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||
|---|---|---|---|---|---|---|---|---|
| 公開日 | 2021-05-12 | |||||||
| タイトル | ||||||||
| タイトル | 雑誌『ブラスト』に見るウィンダム・ルイスのデザイン思想 | |||||||
| 言語 | ||||||||
| 言語 | jpn | |||||||
| 資源タイプ | ||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||
| 資源タイプ | departmental bulletin paper | |||||||
| 著者 |
要, 真理子
× 要, 真理子
|
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| 著者(ヨミ) | ||||||||
| 識別子Scheme | WEKO | |||||||
| 識別子 | 7414 | |||||||
| 姓名 | カナメ, マリコ | |||||||
| 著者別名 | ||||||||
| 識別子Scheme | WEKO | |||||||
| 識別子 | 7415 | |||||||
| 姓名 | KANAME, Mariko | |||||||
| 著者所属 | ||||||||
| 跡見学園女子大学 | ||||||||
| 著者所属（英） | ||||||||
| en | ||||||||
| ATOMI UNIVERSITY | ||||||||
| 抄録 | ||||||||
| 内容記述タイプ | Abstract | |||||||
| 内容記述 | This study focuses on Vorticism in the early 20th century and aims to explain the development of de sign within British avant-gardism in the context of advancements in printed media between 1910 and 1920. Unlike traditional art, avant-garde art sought to create artworks that manifested and disseminated new ideals about art in general. Art movements like Russian constructivism and Futurism were already used journals to appeal to public interest. Such journals were both artworks and a sounding board for new ideas, requiring artists to have knowledge of printing techniques and to understand the differences between an original work of art and its printed copy. Artists considered aspects like layout and typeface to be of crucial importance. Hence, the artists’ intentions should be considered: did they steer towards graphic works based on the premise that they would be printed, strongly affirming the differences between the two? Or, did they use them because the printed version retained features of the original, denying the differences? Through our examination of printed media, we reconsider the position of copying technology in the context of modernist thought. |
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| 書誌情報 |
跡見学園女子大学文学部紀要 en : JOURNAL OF ATOMI UNIVERSITY FACULTY OF LETTERS 号 55, p. A163-A176, 発行日 2020-03 |
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| ISSN | ||||||||
| 収録物識別子タイプ | ISSN | |||||||
| 収録物識別子 | 1348-1444 | |||||||
| フォーマット | ||||||||
| 内容記述タイプ | Other | |||||||
| 内容記述 | application/pdf | |||||||
| 著者版フラグ | ||||||||
| 出版タイプ | VoR | |||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||
| その他の言語のタイトル | ||||||||
| その他のタイトル | Wyndham Lewis’s Thoughts on Design Observed in Blast | |||||||
| 出版者 | ||||||||
| 出版者 | 跡見学園女子大学 | |||||||
| 出版地 | ||||||||
| 東京都文京区 | ||||||||
| 出版者（ヨミ） | ||||||||
| アトミガクエンジョシダイガク | ||||||||
| 資源タイプ | ||||||||
| 内容記述タイプ | Other | |||||||
| 内容記述 | text | |||||||
